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  • Film Still from Double Blind by Sophie Calle
    • Featured
    • by:Ela Bittencourt
    • 08-12-2019
    • 5544 VIEWS
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    Did Sophie Calle Always Rock?
  • Parasite by Global South filmmaker - Korean filmmaker Bong Joon-ho
    • Featured
    • by:Ela Bittencourt
    • 05-27-2019
    • 8824 VIEWS
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    Best Global South Films in Cannes
  • Cummins in noir Gun Crazy
    • Featured
    • by:Ela Bittencourt
    • 04-22-2019
    • 5260 VIEWS
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    Film Noir Deadly Women
  • Still from Bring Me The Head of Carmen M.
    • Featured
    • by:Ela Bittencourt
    • 01-23-2019
    • 10008 VIEWS
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    Future Bodies and the Tired Ghost of Carmen Miranda: Brazilian Cinema at Mostra de Cinema de Tiradentes
  • Nikita Diakur’s FEST
    • Featured
    • by:Ela Bittencourt
    • 01-11-2019
    • 8899 VIEWS
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    Short, Loud and Bold: London Short Film Festival (LSFF) Rolls In
  • Shoplifters by Hirokazu Koreeda (2018)
    • Featured
    • by:Ela Bittencourt
    • 12-24-2018
    • 9883 VIEWS
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    Hirokazu Koreeda’s SHOPLIFTERS: Mythologies of Marginalized Families
  • Yang Zhang's Up the Mountain about painter Shen Jianhua and his apprentices
    • Featured
    • by:Ela Bittencourt
    • 12-20-2018
    • 10150 VIEWS
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    IDFA Highlight: Brughel, Vermeer and the Visual Pleasures of Yang Zhang’s Up the Mountain
  • Diane is behind the feel looking very depressed
    • Featured
    • by:Ela Bittencourt
    • 11-15-2018
    • 5130 VIEWS
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    Small Epiphanies: Kent Jones’ Diane at Viennale
  • Carlos Reygadas plays Juan in Our Time
    • Featured
    • by:Ela Bittencourt
    • 11-14-2018
    • 7673 VIEWS
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    Late Afternoon of a Faun, or Carlos Reygadas’s Our Time at Viennale
    • Featured
    • by:Ela Bittencourt
    • 10-7-2018
    • 7256 VIEWS
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    Art of Estrangement: Sky Hopinka, Jodie Mack and Courtney Stephens in NYFF Projections
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Cinema & Beyond

Latest Essays by Ela Bittencourt

  1. A still from M. Woods's Bedford Cheese, in which we see a digitally manipulated image that looks like an abstract expressionist painting; the film was in the roundup of Flaherty NYC film program
    5 Apr 2021
    March & April 2021
  2. Still from Itonje Soimer Guttormsen’s Gritt, which played in the International Film Festival Rotterdam (IFFR), part of my festival roundup
    3 Mar 2021
    January & February 2021
  3. Image from the group show Nuestra América, at Galeria Luisa Strina, on which I wrote one of the essays for Artforum - the neon image reads, "Oswaldo de Andrade, Volta!" / "Oswaldo de Andrade, Come Back!"
    1 Jan 2021
    November & December 2020
  4. Watercolor from the artist Lucia Nogueira's Inferno, in a solo show at Luisa Strina Gallery, an excerpt
    5 Oct 2020
    September & October 2020
  5. A still from Paulo Rocha's The Green Years, a cinematic drama
    5 Aug 2020
    July & August 2020
  6. Still from Breakwater, an LGBTQ+ short by Cris Lyra
    27 Jul 2020
    Streaming: LGBTQ+ Cinema
  7. Still from Latin American director Paula Gaitán's Light in the Tropics
    14 Mar 2020
    Berlinale Forum and Forum Expanded
  8. Still from Joanna Reposi Garibaldi’s documentary, Lemebel, featured in Latin American Cinema Showcase
    11 Feb 2020
    Neighboring Scenes: Latin American Showcase
  9. RED LIGHT BANDIT (1968) by Rogério Sganzerla
    19 Nov 2019
    Sganzerla’s Gangster Modernity
  10. Still from Luis Ospina's mockumentary A PAPER TIGER
    5 Nov 2019
    The Legacy of Luis Ospina
  11. The Sly Humor of Martín Rejtman: Magic Gloves
    21 Oct 2019
    Sly Humor of Martín Rejtman
  12. Still from Jeannette Muñoz's Puchuncavi in Jeannette Muñoz: Cinema as an Open Letter
    21 Jul 2019
    Jeannette Muñoz: Cinema as an...
  13. Macario by Robert Gavaldón
    25 Apr 2019
    Roberto Gavaldón’s Mortal Visions
  14. Alejandro Fadel’s horror, Murder Me, Monster from Neighboring Scenes Festival
    22 Feb 2019
    Neighboring Scenes 2019
  15. Still from Gabriel Martins and Maurílio Martin's In the Heart of the World premiered at Latin American Movies at International Film Festival Rotterdam
    10 Feb 2019
    Latin American Movies at IFFR
© 2018 Lyssaria